Quiet Matriarch and Family Thread: Sue Narramore

Basic Information

When I trace a family story, I look for the small, cinematic details: a wedding year on a faded caption, the camera lingering on a parent at a premiere, a name that threads through three generations. Sue Narramore, from the material assembled, appears in those margins — not the marquee headliner, but the one who keeps the scene coherent. Think of her as the steady cut between scenes in a long-running series: you catch her in a photo caption, you notice her in a family listing, and then you realize she’s the connective tissue that links an actor from television’s heyday to a modern producer and his high-profile family.

The numbers are simple and telling. One recorded marriage year: 1974. Two children listed by public notices: Cash and Kekoa. Three grandchildren named in contemporary write-ups: Honor, Haven, and Hayes. Those digits sketch a timeline more about family than fame — a portrait where legacy is measured in names and birthdays rather than box office or press cycles.

I imagine small scenes: a young mother at a local school play; later, a presence in event photo captions as the mother of a producer; a grandmother smiling at a red-carpet edge as cameras coax a candid. These images are the kind newspapers and photo agencies keep — short, descriptive, never long enough to tell the interior life. That’s the thing about people whose public existence is relational: the record shows relationships, not inner monologues. For Sue, the record shows family ties that intersect with recognizable names in entertainment, and that’s what creates public curiosity.

If you prefer timelines, here’s a compact one that holds only what’s been consistently mentioned:

I won’t invent the missing frames. There’s no authoritative CV or portfolio for Sue that lists a profession, a string of credits, or a public-facing career biography. That silence is a form of information: it tells you how she appears in the public imagination — more parent than public figure, more matriarch than media brand.

And yet, being “more parent than public figure” doesn’t mean invisible. In celebrity ecosystems, the families of those in the spotlight often become recurring characters. Cash Warren — a producer whose marriage to a major actress has been covered widely — anchors a branch of that ecosystem, and Sue sits on the family tree as the earlier generation: mother, ex-spouse, grandmother. In tabloids and lifestyle spreads, names like Honor, Haven, and Hayes pop up in captions, playground snapshots, and holiday posts; the grandchildren are the newest season of the family story, and their names bring searches and curiosity back to the older branches of the tree.

There’s a gentle mythology to that kind of presence. It’s the backstage role that’s half memoir and half stage direction: “She shows up when the camera wants domestic truth.” I like to imagine Sue as someone who could inhabit both a quiet domestic scene and a candid headline — the kind of person whose real life collapses into tidy biographical lines for public use, while the full script remains offstage.

Net worth and public career figures are often the currency of celebrity bios today. For Sue Narramore, that currency doesn’t exist in any reliable form — there’s no prominent listing of personal assets tied to her name, no self-authored memoir, no industry profile. Where public pages mention her, they emphasize relation: mother of Cash, former spouse of Michael, grandmother to three children who occasionally appear in press lists and family-focused pieces. That’s an important distinction: being part of a public family does not automatically convert a private life into a public ledger.

Social-media mentions and photo-attribution threads are where Sue’s name tends to surface. These are quick flashes — image captions, event listings, family bios that get syndicated and echoed. Sometimes you’ll hit a search result that points to another Sue Narramore entirely (it happens — names repeat across towns and states), which is a cautionary note when doing family history: not every similarly named page belongs to the same person.

If I were telling this story as a filmmaker, I’d linger on two beats: legacy and presence. Legacy — because names carry forward: from Sue to her children, to grandchildren whose middle names echo family ties; presence — because even a sparse public record can tell you how someone is seen by the broader cultural camera. In this case, Sue Narramore’s public trace is familial and quiet, the kind of presence that reads like a stabilizing chord under the more dramatic solos of actors and producers.

FAQ

Who is Sue Narramore?

Sue Narramore is publicly referenced as the former spouse of actor Michael Warren and the mother of producer Cash Warren, mentioned mostly in family and photo-caption contexts.

How many children does she have?

Public mentions attribute two children to her — Cash Warren (son) and Kekoa Brianna “Koa” Warren (daughter).

Was she married to Michael Warren?

Yes — the marriage is reported to have occurred in 1974, and the couple later divorced.

Does she have grandchildren?

Yes — three grandchildren are named in public mentions: Honor, Haven Garner Warren, and Hayes Alba Warren.

What is her profession or career?

No authoritative standalone public career profile for Sue Narramore was found; most references focus on family relationships rather than a public profession.

Is Sue Narramore’s net worth publicly known?

No — there is no reliable public figure or authoritative reporting that lists a net worth specifically for Sue Narramore.

Where is she mentioned publicly?

Her name appears mainly in photo captions, family bios, and occasional social-media or image-archive references tied to the wider Warren family.